IBSEN, BLOK AND RUSSIAN REVOLUTION (ON CONNECTIONS BETWEEN THE POEM THE TWELVE AND THE DOUBLE-DRAMA EMPEROR AND GALILEAN) pages 357-371
THE CLASH BETWEEN THE SINISTER AND THE SUBLIME IN STRINDBERG’S THE FATHER AND MISS JULIE pages 328-345
ON THE PRINCIPLES OF PLOT-CONSTRUCTING AND IMAGERY SYMBOLIC SYSTEM IN HENRIK IBSEN’S DRAMA (Statement of the Problem) pages 250-259
